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Set II: Simone Dinnerstein Leads Bach


Daniel Hope, Music Director and Concertmaster
Guest Artist, Simone Dinnerstein

November 7-10, 2019

Single tickets will go on sale August 1, 2019

Program

Johann Sebastian Bach: Keyboard Concerto in E Major, BWV 1053
J.S. Bach/Busoni: Ich ruf zu dir
J.S. Bach: Keyboard Concerto in F minor, BWV 1056
J.S. Bach: Keyboard Concerto in D minor, BWV 1052
J.S. Bach: Brandenburg Concerto No. 5 in D Major, BWV 1050


Tickets

SUBSCRIPTIONS are available for the 2019-2020 season. Click here.


CONCERTS

Berkeley

November 7, 2019 -- 7:30pm -- First Congregational Church of Berkeley, Berkeley

Palo Alto

November 8, 2019 -- 7:30pm -- First United Methodist Church, Palo Alto

San Francisco

November 9, 2019 -- 7:30pm -- Herbst Theatre, San Francisco

San Rafael

November 10, 2019 -- 3:00pm -- Osher Marin JCC, San Rafael


ABOUT THE CONCERT

Acclaimed American pianist Simone Dinnerstein returns for her first appearances as Artist in Residence leading an all-Bach program of Keyboard Concerti highlighted by the composer's popular Brandenburg Concerto No. 5. 


ABOUT SIMONE DINNERSTEIN

2018 was a banner year for Simone Dinnerstein, including a highly lauded recital at the Kennedy Center, her debut with the London Symphony Orchestra, a live recital for BBC’s Radio Three, and an ambitious season as the first artist-in-residence for Music Worcester, encompassing performances, school outreach, master classes, and lectures. Future highlights include a European tour with Kristjan Jarvi and the Baltic Sea Philharmonic and a residency in San Francisco with the New Century Chamber Orchestra including a collaboration with Daniel Hope and Lynn Harrell for the Beethoven Triple Concerto.

Known for her highly personal recital programs, she is increasingly branching out into interesting collaborations. Upcoming projects include performances conducting and leading from the keyboard with her newly-formed string ensemble Baroklyn; duo recitals with cellist Matt Haimovitz; and Portals: Travels through Time, a performance piece with violinist Tim Fain.

Dinnerstein spent 2018 touring Piano Concerto No.3, a piece that Philip Glass wrote for her as a co-commission by twelve orchestras. Circles, her world premiere recording of the concerto with Grammy-nominated string orchestra A Far Cry, topped the Billboard Classical charts. At their New York premiere, the New Yorker was “struck dumb with admiration” by this new addition to the piano concerto repertoire. She has performed the concerto in the U.S. and abroad, including performances alongside the co-commissioning orchestras. Future performances will be held in France, Germany, Italy, and Canada.

Dinnerstein released Mozart in Havana in 2017, recorded in Cuba with the Havana Lyceum Orchestra. She went on to bring the orchestra to the United States for their first ever American tour, which was received with tremendous enthusiasm and was featured in specials for PBS and NPR. Also in 2017, she collaborated with choreographer Pam Tanowitz to create New Work for Goldberg Variations, which was on the year-end top ten lists of critics at the New York Times and the Boston Globe. This project continues to tour and will be given a run of performances at New York’s Joyce Theater in 2019.

Dinnerstein first attracted attention in 2007 with her self-produced recording of Bach’s Goldberg Variations. It was a remarkable success, reaching No. 1 on the Billboard Classical chart in its first week of sales and was named to many "Best of 2007" lists including those of the New York Times, the Los Angeles Times, and the New Yorker. The recording also received the prestigious Diapason d’Or in France and established Dinnerstein’s distinctive and original approach. The New York Times called her “a unique voice in the forest of Bach interpretation.”

Since 2007, Dinnerstein has made a further eight albums with repertoire ranging from Beethoven to Ravel, all of which have topped the Billboard Classical charts. Dinnerstein’s performance schedule has taken her around the world. She has performed at venues including Carnegie Hall, Boston’s Symphony Hall, Vienna Konzerthaus, Berlin Philharmonie, Sydney Opera House, Seoul Arts Center, and London's Wigmore Hall; festivals that include the Lincoln Center Mostly Mozart Festival and the Aspen, Verbier, and Ravinia festivals; and performances with the Vienna Symphony Orchestra, Dresden Philharmonic, Staatskapelle Berlin, RAI National Symphony Orchestra, Royal Scottish National Orchestra, Czech Philharmonic, Danish National Symphony Orchestra, New York Philharmonic, Minnesota Orchestra, Atlanta Symphony, Baltimore Symphony, Montreal Symphony Orchestra, Melbourne Symphony Orchestra, Orquestra Sinfonica Brasileira, and the Tokyo Symphony.

Dinnerstein has played concerts throughout the U.S. for the Piatigorsky Foundation, an organization dedicated to bringing classical music to non-traditional venues. She gave the first classical music performance in the Louisiana state prison system at the Avoyelles Correctional Center and performed at the Maryland Correctional Institution for Women in a concert organized by the Baltimore Symphony Orchestra.

Dedicated to her community, Dinnerstein founded Neighborhood Classics in 2009, a concert series open to the public and hosted by New York public schools to raise funds for their music education programs. She also created a program called Bachpacking during which she takes a digital keyboard to elementary school classrooms, helping young children get close to the music she loves.

A winner of Astral Artists’ National Auditions, she is a graduate of The Juilliard School where she was a student of Peter Serkin. She also studied with Solomon Mikowsky at the Manhattan School of Music and in London with Maria Curcio. She is on the faculty of the Mannes School of Music and lives in Brooklyn with her husband, son, and Old English Sheepdog, Daisy.

Earlier Event: September 26
Set I: Fin de siècle