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PROGRAM 1: Anthony Marwood Leads

Marwood_FelixVanDijk.jpg

Anthony Marwood, Concertmaster
Guest Artists: Anthony Marwood, violin; James Crabb, accordion

November 1-4, 2018


Sally BeamishSeavaigers, for violin, accordion and strings
Peteris Vasks: Concerto for Violin and String Orchestra, ‘Distant Light’
Antonín Dvořák: Serenade for Strings in E major, Op. 22


Tickets

SUBSCRIPTIONS are available for the 2018-2019 season. Click here.

SINGLE TICKETS are now on sale through City Box Office!  To purchase single tickets, please contact City Box Office at (415) 392-4400.


CONCERTS

Berkeley

Thursday, November 1, 2018 -- 7:30pm -- First Congregational Church Berkeley, Berkeley

Palo Alto

Friday, November 2, 2018 -- 7:30pm -- First United Methodist Church, Palo Alto

San Francisco

Saturday, November 3, 2018 -- 7:30pm -- San Francisco Conservatory of Music, San Francisco

San Rafael

Sunday, November 4, 2018 -- 3:00pm -- Osher Marin JCC, San Rafael


ABOUT THE CONCERT

New Century opens its season with a debut appearance by British violinist Anthony Marwood as Guest Concertmaster in a program featuring Dvořák's beloved Serenade for Strings and Seavaigers by London-born composer Sally Beamish.


About Anthony Marwood

British violinist Anthony Marwood is known worldwide as an artist of exceptional expressive force. His energetic and collaborative nature places him in great demand as soloist/director with chamber orchestras worldwide. He is Principal Artistic Partner of the celebrated Canadian chamber orchestra, Les Violons du Roy, a post he took up in 2015. In the 16/17 season, he was Artist in Residence at the Norwegian Chamber Orchestra. His eminence as a soloist has brought him to work with conductors such as Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin, Bernard Labadie and Douglas Boyd.

In recent years, engagements have included the Boston Symphony, St Louis Symphony and Vienna Radio Symphony, as well as the New Zealand and Tasmanian Symphony Orchestras and the Australian Chamber Orchestra. Last season included performances of Kurt Weill’s concerto with the Royal Philharmonic Orchestra of Galicia, play/direct projects with the Aurora Orchestra at London’s Royal Festival Hall and with the Adelaide Symphony Orchestra, a return to the Amsterdam Sinfonietta for a tour of the Netherlands, and a performance of Brahms’s Double Concerto with Alexander Rudin and Musica Viva Moscow. Marwood is a renowned champion of contemporary music, alongside more traditional repertoire. Among those new works composed for him is Thomas Adès’ Violin Concerto “Concentric Paths”. Marwood premiered the work in Berlin and at the BBC Proms with the Chamber Orchestra of Europe with Ades conducting.  They followed these performances with many national premieres around the globe and a release on EMI in 2010.  Last season, he performed it with the Leipzig Gewandhaus Orchestra under Andrew Manze. Also composed for Marwood were Steven Mackey’s “Four Iconoclastic Episodes”, premiered in 2009 with the Irish Chamber Orchestra, and Sally Beamish’s 1995 violin concerto, premiered by Marwood with the BBC Scottish Symphony Orchestra under Martyn Brabbins. The most recent work written for Marwood is Samuel Adams’ Violin Concerto, premiered in 2014 by the Berkeley Symphony in California under Joana Carneiro to critical acclaim.

The 17/18 season includes a tour with the Scottish Chamber Orchestra, play/direct engagements with the Sydney Symphony and Tapiola Sinfonietta in Helsinki, debuts with the Gävle Symphony Orchestra (Adès concerto) and Jacksonville Symphony (Berg) and two concerto appearances with the Chamber Orchestra of Paris (Beethoven and Berg).

As a chamber musician, Marwood is a frequent participant at major chamber music festivals, with recent appearances including Vinterfest in Sweden, the Trondheim Chamber Music Festival and Bridgehampton Festival in New York. His recital partners include pianist Aleksandar Madžar, with whom he toured the US last season, and accordionist James Crabb, with whom he appeared at Wigmore Hall in 2015. Marwood returns to the Wigmore Hall in the current season to join musical colleagues for the octets of Mendelssohn and Enescu.

Anthony Marwood’s most recent release – his 50th on the Hyperion label – is a recording of Walton’s Violin Concerto with the BBC Scottish Symphony Orchestra and Martyn Brabbins. The disc has received critical acclaim, including a 5-star review in The Guardian and Classical Source and a ‘Recommended Recording’ in The Strad Magazine, whilst the Sunday Times hailed Marwood as “a thrilling, virtuosic soloist”. Other recent releases for Hyperion include Schumann’s late works for violin and orchestra and Britten’s Violin and Double Concertos, both with the BBC Scottish Symphony Orchestra. Marwood’s recording of Schumann’s violin sonatas, recorded with Aleksandar Madžar on the award-winning Wigmore Live label, was described by International Record Review as “exemplary in every way”, following on from the duo’s acclaimed recording of the Brahms violin sonatas on the same label.

Another facet of Marwood’s career is genre-bending presentations, such as the Academy of St Martin in the Fields’ fully-staged production of Stravinsky’s “A Soldier’s Tale”, in which Marwood acted the role of the Soldier and played the violin part. He also enjoyed a successful collaboration with award-winning Indian classical dancer Mayuri Boonham.

Born in London, Anthony Marwood studied with Emanuel Hurwitz at the Royal Academy of Music, David Takeno at the Guildhall School of Music, and took lessons from Sándor Végh and Daniel Phillips at IMS Prussia Cove. He was named Instrumentalist of the Year by the Royal Philharmonic Society in 2006 and was the violinist of the Florestan Trio for sixteen years. He is co-Artistic Director of the Peasmarsh Chamber Music Festival in East Sussex, performs annually at the Yellow Barn Festival in Vermont, and enjoys a close association with the Australian National Academy of Music in Melbourne. Marwood was appointed a Fellow of the Guildhall School of Music in 2013. He plays a 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers.

About James Crabb

James Crabb was born in Dundee, Scotland in 1967 and started playing the accordion at the age of four. He studied at the Royal Danish Academy of Music in Copenhagen with classical accordion pioneer Mogens Ellegaard from 1985-92. He was 2nd Prize Winner of the Gaudeamus Interpreters competition, 1989 in Holland, and was awarded the Carl Nielsen Music Prize, Denmark in 1991. During his studies he received scholarships from The Countess of Munster Musical Trust, Martin Musical Scholarship Fund, Tillett Trust and Sir James Caird Trust. He gave over 150 performances for the Live Music Now series. 

James Crabb’s acclaimed London debut in the Park Lane Group series at the Purcell Room in 1992 catapulted him to the international concert platform. Since then, he has performed worldwide, pioneering the classical accordion. He has appeared at festivals including Edinburgh, the London Proms, Belfast, Lucerne, Sydney Millennium, Cheltenham, Aldeburgh, Kuhmo, Brisbane Biennale, ISCM World Music Days and the Gulbenkian Foundation’s Nordic Days.

Critics internationally have praised his virtuosity and versatile musicianship. He is widely regarded as one of the world’s leading exponents and ambassadors of his chosen instrument. 

James has performed with conductors such as Daniel Barenboim, Elgar Howarth, Martyn Brabbins, Jukka-Pekka Saraste, Gunter Schüller, Markus Stenz, Michael Schønwandt, Susanna Mälkki and Peter Eötvös. He has been soloist with many orchestras including the BBC Scottish, the Philharmonia, London Philharmonic, Sydney, and Melbourne symphony orchestras; and ensembles such as the London Sinfonietta, Birmingham Contemporary Music Group, Paragon Ensemble, Almeida Ensemble, Nash Ensemble, Australian Chamber Orchestra, Rotterdam Philharmonic and the Kuhmo Virtuosi. He has had several successful chamber-music collaborations with the violinist Dimitry Sitkovetsky.

James’ great passion and acclaimed authority for the music of Astor Piazzolla have been highlighted by several concert performances with the original members of Piazzolla’s Quintet, Horacio Malvicino, Hector Console and Fernando Suarez-Paz. He is also featured on the film portrait of Astor Piazzolla. (BBC/Opus Arte OA0905)

In 2003, his highly acclaimed recording as soloist and arranger of the works of Astor Piazzolla with the Australian Chamber Orchestra was released. (Song of the Angel, Chandos CH10163)

James also appeared as soloist with the ACO in Japan and Europe. With the orchestra’s leader Richard Tognetti, he performed at the opening ceremony of the 2003 Rugby World Cup in Sydney, to a stadium audience of 83.000 and an estimated 2 billion TV viewers worldwide. 

His second recording of Piazzolla’s music in its original quintet instrumentation with Tognetti, Vassilev, Bibeau and Martin, was released in 2005 (Tango Jam Vol.1, Mulberry Hill Recordings MHR-C001). 

His best-selling accordion duo debut recording in 1996 with his colleague Geir Draugsvoll of transcriptions of Stravinsky’s Petrouchka and Mussorgsky’s Pictures at an Exhibition (EMI Classics 569072) was re-released in 2002. The duo performs regularly worldwide and collaborates frequently with the Tero Saarinen Dance Company from Finland. Recent performances of Petrouchka with Saarinen include the Kuhmo Chamber Music Festival, broadcast live on Finnish national television and in St Petersburg as part of a cultural gift to the city from the Finnish Government. 

James Crabb has recorded for several labels including NMC, Classico, DaCapo, Simax and ABC Classics, and makes regular radio and TV broadcasts. He gave the first ever solo recital recording for the Sky TV Digital Arts Channel.

World premiere performances and recordings include works by Harrison Birtwistle, Thomas Adès, Luciano Berio, John Casken, Sofia Gubaidulina, Django Bates, Sally Beamish, Elena Kats-Chernin, Gordon McPherson and Lyell Cresswell.

Recent projects have included concerts and recordings with pop stars Martin Hall, Neil Finn and Patti Smith. 

He has an ongoing collaboration with multi-media sound designers Ian Dearsden and David Sheppard alias ‘Sound Intermedia’, highlighted by their recent critically acclaimed work ‘Helix’ and has recorded the music for Arc Dance Company’s production of Hamlet composed by Ian Dearsden.

In 2005 he directed from the accordion two very successful new opera productions in Denmark; firstly the world premiere of Andy Pape’s Simsalabad, and secondly Astor Piazzolla’s Maria de Buenos Aires, which was the Royal Danish Opera’s production marking the opening of the chamber scene of the new opera house in Copenhagen. 

James was involved in comic music-theatre for several years with the Danish percussionist and entertainer Thomas Sandberg. Described as a fusion of Monty Python, Spike Jones and Jacques Tati, Standard (2000) and Dask (2003) productions have both been awarded the prestigious Danish Theatre Prize. 

James Crabb has been professor of classical accordion at the Royal Danish Academy of Music in Copenhagen since 1995 and held a guest professorship at the University of Music and Dramatic Arts in Graz, Austria from 1995-2002. He has also given master-classes at music institutions including the Sibelius Academy in Helsinki, Rotterdam Conservatorium and Toronto University. 

James Crabb plays on a Pigini Mythos No.4 model (1992) instrument, tuned and prepared by Leonid Setrakov.